Christa Pike and the Absurdity of Humane Execution

Doctors in Tennessee are attempting to save the life of a woman whom the state just tried to kill. “Kafkaesque” is a term so overused that it has become a banality, but how else can one characterize the chain of events that occurred on September 30th?

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Christa Pike was eighteen years old when she murdered her classmate, Colleen Slemmer, in 1995. A year later, she became the youngest woman to receive a death sentence in the modern era. This past Wednesday, at 8:17 A.M., an hour or so before the now fifty-year-old Pike was scheduled to be executed, an appeals court granted her legal team’s request for a stay of execution “to properly analyze the parties’ fully briefed arguments and resolve the issues on the merits.” By late afternoon, the Supreme Court, which had denied her a stay earlier in the week, vacated it. At Riverbend—a maximum-security prison in Nashville where Pike, the only woman on Tennessee’s death row, has long been held—there were media witnesses, prison personnel, lawyers, Slemmer’s mother, and a spiritual adviser gathered. Pike said her last words, an offering of love to those who loved her and those who hated her, and prepared. An execution team sent a rivulet of pentobarbital through her left arm. Pike remained conscious, though, and spoke, asking whether it was normal that her arm felt like it might burst. A second syringe was administered. Pike appeared to lose consciousness, but was observed to be snoring, indicating that she was still breathing. An hour crept by. She did not die. Lawyers made emergency calls, and a decision was made to halt the proceedings, which had lost the veneer of sobriety and had tipped into a scene of government depravity, the vague zone of punishment deemed by the provisions of the Eighth Amendment as “cruel and unusual.”

Iran’s Bitterness and Bewilderment Over How to Make Peace with Trump

On a whirlwind trip to New York this week, Mahmoud Pezeshkian, the President of Iran, looked exhausted. His country has been at war with the United States and Israel for seven months. Dark, puffy bags sagged under his eyes. His tone—at the opening of the U.N. General Assembly, on the sidelines of negotiations with U.S. envoys, in meetings with other world leaders, and at briefings for nuclear specialists, think-tank experts, and members of the media—alternated between bitter, biting, and bewildered.

The scenes were often surreal. Since February 28th, when the war began, Pezeshkian has frequently run his government from an underground location, to avoid the fate of his former boss, the Supreme Leader Ayatollah Ali Khamenei, and dozens of other politicians and military officers, all killed in air strikes. This week, however, the U.S. Secret Service and the New York Police Department provided Pezeshkian protection in coördination with his own security detail of Revolutionary Guards, an Iranian military branch that has repeatedly been targeted during the war. It was the first time that the President of a country at war with the United States has been allowed to pay a visit.

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In New York, Iran made a new bid to end the conflict during indirect talks with U.S. envoys. The proposal, which would expedite a resolution in a mere seven days—peace on steroids—called for the U.S. to lift economic sanctions and end its blockade of Iranian ships, and for Iran to open the Strait of Hormuz to all international shipping, the Iranian foreign minister, Abbas Araghchi, said on Thursday. It “would be much better” if the process were completed before the U.S. midterm elections in November, he continued. But Tehran is “in no hurry.”

The proposal also outlined an end to hostilities between the U.S and Iran, a ceasefire in Israel’s campaign in Lebanon, the release of an estimated twelve billion dollars in frozen Iranian assets, and the resumption of negotiations on the future of Iran’s controversial nuclear program. These reflected the main points in the so-called memorandum of understanding negotiated in Islamabad in June and signed, from afar, by Presidents Trump and Pezeshkian. That deal broke down in July, when Iran struck three ships that were passing through an “unauthorized” route in the Strait of Hormuz. The U.S. responded with fresh rounds of punishing air strikes.

The new proposal was relayed to the U.S. envoys Steve Witkoff and Jared Kushner during three hours of indirect talks, mediated by Qatar. Witkoff described the meetings as “encouraging, constructive and successful.” Trump called them “very good.”

Earlier in the day, however, Trump had mused, during a speech on the U.N. floor, about whether he should “annihilate the Islamic Republic, and do it quickly, never giving them a chance to kill and destroy people and countries again.” Trump said that he was willing to drive Iran “into Hell with no chance of survival and no hope of future greatness or generations” if it does not agree to end the war on his more ambitious terms, which include sweeping steps to dismantle any remaining aspects of a nuclear program that could be used to make a weapon. On Friday night, the Wall Street Journal reported that Trump had indeed rejected Iran’s proposal, and that he expects to resume bombing the country after the midterms, though an unnamed U.S. official said that Washington and Tehran continue to negotiate.

Among the archetypal products of the House are its handbag collections

Cristóbal Balenciaga founded the House in 1917 in his home of Spain. In 1937, he established the brand in Paris, designing its collections there until 1968.Cristóbal Balenciaga had a reputation as a couturier of uncompromising standards and was referred to as “the master of us all” by Christian Dior and as “ The Couturier of the Couturiers” by Gabrielle Chanel. The ultra-modern shapes were trademarks of the house.

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While the brand’s identity is firmly rooted in its highly conceptual prêt-à-porter collections, its leather goods, footwear, and accessories experience worldwide success as well. Among the archetypal products of the House are its handbag collections. A new focus on the development of Balenciaga ready-to-wear collections for men was quickly established as highly successful.

Since October 2015, Demna Gvasalia has designed both men’s and women’s collections as the artistic director.

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The Balenciaga House, part of the Kering group since 2001, is one of the most influential names in fashion.

Gerald Cyrus’s Magnificent Images of Black Life

hen I look at Gerald Cyrus’s jazz photographs, I can hear the music. I can smell the stale-moldy-acid-floral scent of beer, of cigarettes on breath, of the air strained by sweat and White Diamonds perfume. I can hear the old man shouting with his arms raised, the blue-black night of a missing front tooth amplified by the shiny gold one next to it. I can feel the heat in the room, the human humidity dewing the windows in a thick fog, daring you to trace something on their misty sheets of protection. I can sense the vibration underfoot, the feet tapping and the glasses hitting countertops and the asses hitting barstools. I recognize the finger waves shaking loose, the relaxers napping up, the cigarettes dangling between cackling gapped teeth while “How Can I Ease the Pain” sizzles out from the jukebox.

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Starting in 1990, Cyrus, then a thirty-three-year-old M.F.A. student at the School of Visual Arts, began consistently documenting New York City. This month, TBW Books will publish a long-awaited collection of his images from that decade, “Uptown Odyssey.” The book gathers the photographs he took of the vibrant street corners of Harlem; of the dank, boisterous subways as he went to and from class; of Harlem’s legendary jazz clubs; and of dark, soulful night scenes, pocked with buzzing street lamps and gleaming cars. In one of my favorite images in the book, taken in 1994, two girls vamp for Cyrus’s camera beside an open fire hydrant, water spewing out onto the street and wetting their legs.

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In another photograph, from 1991, a mysterious figure clad in white skulks her way from the flat, flickering light of a train station into the seemingly endless night of the city. In an image from 1997, five men stand in front of a dazzling neon sign that reads “Lounge.” The picture is so vivid in its inky perfection that looking at it suggests the gravelly voice of the man standing on the far right, beneath the hair-braiding sign, as he explains how he picked up a girl thirty years ago who lived just beyond the frame. How she looked just like Sade; how he smooth-talked her inside a bodega and walked her home. These photographs are alive, electric, and damp with prosody, preserving moments of Black life that can never truly be duplicated.

Fashion Model Shoot

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Fashion Trend in For Winter

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